New Reviews

Ronald Malfi ‘Snow’ Review


Snow

Written by: James Keen

“The easy thing would be to stick that rifle in my mouth and pull the trigger. After all, it’s not like I’m going to get out of here.” -‘Snow’. Ronald Malfi.

There’s a moment in Ronald Malfi’s splendidly enthralling horror novel, ‘Snow’ where a character utters the line, “Real Invasion Of The Body Snatchers bullshit”, a quote that perhaps sums up the best and worst of the author’s intentions.  The writer has crafted an enormously entertaining book that comprises a dynamic -if well-worn – plot, loaded it with characters that are intriguing and, for the most part smart, and delivered a reading experience that can perhaps be equated with that of a favourite meal with all that that familiarity may entail; it satisfies your hunger, spikes your energy levels but it’s all too redolent of something you’ve consumed many times before.

After a feverishly intense and violent opening in a small town convenience store that capably sets the tone for what is to follow, Malfi switches locations to the weather-battered Chicago O’Hare airport and introduces his principally demure ‘everyman’; Todd Curry, a divorced young-ish lawyer with a shameful secret and a desperate wish to re-unite with his seven year old son, Justin, in Des Moines. Curry’s flight is cancelled as a huge snowstorm moves in and effectively closes the airport, and it’s then that Curry strikes up a flirtatious rapport with the nubile Kate Jansen – a woman similarly anxious to re-unite with her upwardly mobile fiance. Along with the retired couple Fred and Nan Wilkinson they venture off in the last four wheel drive rental available as the ambient conditions worsen and the night closes in.

It’s not long after that Malfi’s likeable and adroitly described party encounters a dark figure on a treacherously icy road, a barely visible signpost for the town of ‘Woodson’ and the discovery of a ‘lost’ little girl who “had no face.” From this point onwards Malfi builds a compelling and disturbing narrative; his prose is addictive and the author has a genuine knack for creating an almost palpable sense of dread that ensures the reader is engaged and apprehensively primed for his plot’s chilling tendencies.

Those readers appreciative of such genre offerings as Steve Niles’s ’30 Days Of Night’ and in particular the John Carpenter helmed movie, ‘The Fog’ may prematurely blanch at the route Malfi takes with his story, infused as it is with many of the characteristics of those two atmospheric and creepy milestones, but  it quickly becomes apparent that Malfi is not merely copying from these but expanding and admirably attempting to create his own mythology. It’s the work of an author who  is interested in exploring the ideas of isolation, desperation and the human desire for survival against seemingly insurmountable probabilities. The result is at times an awkward mix of the obviously affectionate homage and the entertaining though flawed extrapolation and reinterpretation of those conceits; this is a book for readers who are content to indulge a writer who is thoroughly enamoured of those standards.

While Malfi’s narrative is chock-full of some of the horror  genre’s  cultural echoes, it’s the gradual overloading of these concepts that threatens to undermine his otherwise involving plot. Towards the book’s tense, page-turning climax this reviewer experienced more than a few instances of disconnection with the text, primarily because of the ‘kitchen-sink’ approach the author implements. Overall, this is a thrilling novel replete with copious amounts of brain-shredding, body-morphing gore along with judiciously placed incidents of endearing humour. Malfi does well to give his characters a believable -if sometimes cliched – back-story that facilitates much needed empathy with the events that unfold around them. Put simply, you genuinely care about Malfi’s fictional personalities and when the inevitable fatalities occur they’re generally not flippant and for the most part emotionally affecting.  This is a book that demands to be read in one sitting, preferably late at night, though perhaps not during an encroaching snowstorm.

The musician Ian Anderson once commented, “Talent borrows, genius steals, shit copies.” Ronald Malfi certainly falls into the first category as far this reviewer is concerned.

Grab your copy right here!

Rating: 4/5

About The Overseer (1669 Articles)
Author of Say No to Drugs, writer for Blumhouse, Dread Central, Horror Novel Reviews and Addicted to Horror Movies.

15 Comments on Ronald Malfi ‘Snow’ Review

  1. This was my first Ron Malfi book. Excellent, fun read.

    Like

  2. Thanks for the heads-up. I’ll check those out.
    As I’m always on the lookout for notable genre fiction, is there anything you’ve read recently – horror-genre speaking- that you’d also recommend?

    Like

  3. The Narrows by Malfi is one of my favorite horror novels to drop last year. Check it out. You won’t regret it.

    Like

  4. Thanks, Tim. I agree; ‘Stillwater”s not on any maps is it? Hope not…heh-heh…

    Like

  5. I really enjoyed his novel, The Narrows. This sounds like one I’d read also.

    What do you mean by kitchen sink? So many action descriptions or genre cliches or…?

    Like

  6. Hi Timothy,
    the ‘kitchen sink’ line refers to the (to my mind) near overload of tropes that we’ve seen many times before in horror fiction. But don’t let that put you off. Trust me, if you liked ‘The Narrows’ you’re really gonna dig this.

    Like

    • Thanks, James. Better word choice in “tropes.” Now that you mention that, my bunch is that too many tropes can feel like the author is not being creative or surprising. The monsters in The Narrows were creative and surprising, so I give Ron the benefit of the doubt, but what did you think?

      Like

  7. Sorry, still getting used to auto-correct–hunch, not bunch.

    Like

  8. Hi Timothy. For me, there were so many snatches of other things I’d seen or read in the genre and they came at such a fast rate towards the novel’s close that I was taken out of the text -disengaged, if you will, for moments at a time.
    As regards ‘The Narrows’ question;he’s definitely given the ‘benefit of the doubt’.
    We’ve got a Q & A piece coming up on this site shortly with Mr Malfi that I think you’d enjoy and may pique your interest in some of his other books.

    Like

  9. Welcome aboard!

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: